Waking up to a scorched sky, Beckett fears he is the lone survivor of a sudden global catastrophe. Stranded and isolated inside a seaside rental property, his remaining grip on reality rapidly unravels when he is confronted by a terrifying presence—the vengeful spirit of Joel, his abusive ex-husband. To survive both the unfolding global apocalypse and the primordial forces awakening around them, the estranged pair must directly confront the toxic, destructive history of their past life within high society.
Comprised of a series of bizarre and unrelated episodes, this absurd Italian comedy earned the inglorious honor of being the film with the most audience walkouts at the 1996 Venice Film Festival. In the first segment, a widow attends her husband's funeral and ends up having sex with her brother-in-law next to her husband's corpse.
Amós is a sailor and owner of a ship. He is impatient with the arrival of his uncle who returns from the Soviet Union, after having exiled there after the Civil War. They have no time to meet because the old man unexpectedly dies. Amos knows, thanks to the letters his mother received, that his uncle had a treasure. However, this one is not among the objects that were in the old man's room.
Michael Harding returns home from military school to find his mother happily in love and living with her new boyfriend, David. As the two men get to know each other, Michael becomes more and more suspicious of the man who is always there with a helpful hand. Is he really the man of her dreams or could David be hiding a dark side?
The summer of 2004, three teens are involved in a boat accident and an unknown girl ends up dead. Ten years later, the same group plus some others, travel to their summer cabin where the dark deeds of their past starts haunting them. Dangerous water skiis and a crazy person attacks them, and nobody knows why.
Ramon Alvarado is one of the most important figures of the 60s Amateur Cinema Cycle in Espírito Santo. Not only was Alvarado a prolific director of short films throughout his life, but he was also involved as the director of photography on many other important Espírito Santo film productions. Director and editor Vitor Graize brings forth archival images to add deeper layers of meaning to Alvarado’s recollections.