Jack Carter, a mob enforcer living in Las Vegas, travels back to his hometown of Seattle for his brother's funeral. During this visit, Carter realizes that the death of his brother was not accidental, but a murder. With this knowledge, Carter sets out to kill all those responsible.
Having disposed of his enemies, Lucio Silla is now all-powerful. He wants to marry Giunia, but underestimates how much she hates him. After all, he has not only had her father murdered, but has also banished her beloved, Cecilio. At first, Giunia is misled into thinking that Cecilio is dead; with the help of Cinna, however, the lovers manage to meet up again. The power of love and Cinna’s machinations finally persuade Silla to relinquish his power.
In New Caledonia, Marie-Claude Tjibaou is an undisputed authority: widow of independence leader Jean-Marie Tjibaou, founder and president of the Tjibaou Cultural Center, now a member of the Committee of Elders. An extraordinary life that merges with the history of his country. But who is she really? In the footsteps of her son Emmanuel, this film takes us to discover Andi (her customary name in the Païci language) and a touching, secretive and strong Marie-Claude Tjibaou. An intimate and universal portrait at the same time. The portrait of a standing woman who, despite the hardships, has never given up.
Such children in Ukraine are born 5-6 per year. No one knows the exact numbers. Every second - dies as a baby. Their skin is fragile, like the wings of butterflies. This disease is incurable. But with the right care, they can live. “The most important thing for a child is a stable, reliable mother. The child can have any condition of pain, wounds, and the mother should be close, like a rock. And then the child feels the strength that his mother loves him and in any condition he is sick, screaming, or more calm, his mother is always there. ”
Rizwan Khan, a Muslim from the Borivali section of Mumbai, has Asperger's syndrome. He marries a Hindu single mother, Mandira, in San Francisco. After 9/11, Rizwan is detained by authorities at LAX who treat him as a terrorist because of his condition and his race.
A series of auditions is taking place in a museum-like living room. Various men improvise or deliver prepared lines, rehearse gestures and slogans, aim guns, and collapse as if mortally wounded. The theme of revolution is repeatedly invoked. In between, there are scenes of a desert landscape. Three men seeking to join the Mexican Revolution at the beginning of the last century have lost their way. Conflicts smolder among them, water is running low, and mutual mistrust is beginning to take hold. Placing the reenactment of a possible historical event alongside the preparations for it serves to underline the theatricality of every cinematic account of history. Moreover, on a kind of playful meta-meta-level, the scenes in which the actors feel their way through set pieces from a Beatles song or standard battle slogans allow the viewer to witness the simultaneous construction and deconstruction of a collective myth of revolution.
Two crew members wake up on an abandoned spacecraft with no idea who they are, how long they've been asleep, or what their mission is. The two soon discover they're actually not alone – and the reality of their situation is more horrifying than they could have imagined.